unique interior design of the living room – I absolutely love this decade of fashion – I would wear Halston every day if I could – to the decor, with its sculptural lines, metallic accents and canal tufting. Midcentury design is still what everyone is arguing about, but compared to the stocked-up supplies of the Mad Men days, the 1970s were just a lot of funnier. A huge, sunken section, sized for all your friends, says, “Come, relax! Let’s party!” Who would not want a sociable, inviting home like this? But while I used vintage pieces, these spaces are not pure 1970s. Not everything from this period is worth visiting again. So no waterbeds or shaggy carpets.
And I do not see classic 70s colors like crop gold or avocado green.
unique interior design of the living room – at that time pallets were brave and exaggerated. I am drawn to the same boldness, if not the exact colors of the time. I adore myself dark, dramatic and moody. So the bedroom is a royal amethyst; the living room is chestnut, espresso and carbon black; and the dining room surrounds you with rich, vibrant greens. Only not avocado green.
Have you also designed the interior design?
unique interior of the living room – Yes, and it was a game changer. This was originally a split-level area that belonged to my husband’s parents, and after much discussion, we tore it off and built a Carpenter Gothic. I have set up a formal living room in favor of a multi-purpose family room next to the kitchen; The strategy was to get guests out of the kitchen at parties. By embracing the top corners of the door openings, you get a personal touch and it becomes a visual line that connects all spaces.
What inspired the big trip around the world in the living room?
unique interior design of the living room – It was more accidental than by design. I was attracted to the pattern of wallcovering, which is groovy and tribal, and everything dominated it. The finished look is intercultural: In addition to mud towel pillows and framed Cuba cloth from Africa, there is also a Russian painting, a Moroccan bowl and Italian art. You could say that the room is geographically, chronologically and stylistically everywhere – and that’s why it works in my opinion.
unique interior design of the living room – There’s a link to what my eye catches and that’s what holds everything together. The same thing happened in every room. For example, in the dining room there are cheap flea market and flea market chairs – I sprayed some of them with gold – around an elegant, modern table. And in the living room, I paired a streamlined Le Corbusier lounger with vintage Pierre Paulin molded foam chairs.
The dining room is incredibly atmospheric and almost hypnotic. How did you manage it?
unique interior design of the living room – I have wrapped the entire space in an abstract painting, which has been transformed into a wallpaper wall picture. For movement and flow I had a mirror image of the created pattern and vice versa on the opposite walls: The picture is turned over and then hung upside down. It creates the feeling that colors are flowing and swirling around you as if you are sinking underwater.
Any pushback from your husband about the very purple bedroom?
unique interior design of the living room – at this point in our marriage he trusts me. But what made it a simple sale is that it is not a tweenager purple; It is an earthy eggplant with rusty tones. They want a democratic choice in shared spaces like bedrooms, and that was a color to which both of us have responded.
Have you always been fearless when it comes to color?
unique interior of the living room – I always liked strong colors. In fact, my mother let me dress at the age of four, and she says I would always come out of my bedroom in perfectly matching outfits. In high school, when we moved to a new house, I was allowed to choose the palette for my bedroom. Of all the colors I could have picked, I went with wisteria. Everything was wisteria, including the carpet. My parents were very understanding.
Unique interior design of the living room – “The wall curtain of the dining room is both a complement and a counterpoint to all other colors and patterns – everything to respond to it,” says Kong. “To compensate for its ethereal quality, I used a velvet ikat on four chairs, starkly and graphically reflecting the geometry of the foyer wall cladding and the acidic greens in the dining room, with all the imprints anchoring a solid emerald velvet on the captain’s chairs the room and leaves the eye resting, it is also substantial and corresponds to the weight and presence of the chairs. ”
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